Stephen Fortunato photos on Flickr

Buda Castle, Budapest (Hungary) UNESCO HERITAGE 1987 by Andrea Guagni 7,9 Million

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Buda Castle is the historical castle and palace complex of the Hungarian kings in Budapest. It was first completed in 1265, but the massive Baroque palace today occupying most of the site was built between 1749 and 1769. The complex in the past was referred to as either the Royal Palace (Hungarian: Királyi-palota) or the Royal Castle (Hungarian: Királyi Vár, German: Königliche Burg). The castle now houses the Hungarian National Gallery and The Budapest History Museum.

Buda Castle sits on the southern tip of Castle Hill, surrounded by the touristic area known as Várnegyed (Castle Quarter), which is famous for medieval, Baroque and Neoclassical houses, churches, public buildings, and monuments. The hill is linked to Clark Ádám Square and the Széchenyi Chain Bridge by the Castle Hill Funicular. The castle is a part of the Budapest World Heritage Site, so declared in 1987. The original Royal Palace was ruined during WWII, it was rebuilt in a simplified Stalin Baroque style during the Kádár era.

The first royal residence on the Castle Hill was built by King Béla IV of Hungary between 1247 and 1265. It is uncertain whether it was situated on the southern tip of the hill or on the northern elevation, near the Kammerhof.

The oldest part of the present-day palace was built in the 14th century by Stephen, Duke of Slavonia, who was the younger brother of King Louis I of Hungary. Only the foundations remain of the castle keep, which was known as Stephen's Tower. The Gothic palace of King Louis I was arranged around a narrow courtyard next to the keep.

King Sigismund significantly enlarged the palace and strengthened its fortifications. Sigismund, as a Holy Roman Emperor, needed a magnificent royal residence to express his prominence among the rulers of Europe. He chose Buda Castle as his main residence, and during his long reign it became probably the largest Gothic palace of the late Middle Ages. Buda was an important artistic centre of the International Gothic style.

Construction began in the 1410s and was largely finished in the 1420s, although some minor works continued until the death of the king in 1437. The palace was first mentioned in 1437, under the name "fricz palotha".

The most important part of Sigismund's palace was the northern wing, known as the Fresh Palace (Hun: Friss-palota). On the top floor was a large hall called the Roman Hall (70 × 20 m or 230 × 66 ft) with a carved wooden ceiling. Great windows and balconies faced toward the city of Buda. The façade of the palace was decorated with statues, a and coat-of-arms. In front stood the bronze equestrian statue of Sigismund, later repaired by King Matthias Corvinus.

The southern part of the royal residency was surrounded with narrow zwingers. Two parallel walls, the so-called "cortina walls", run down from the palace to the River Danube across the steep hillside. The most imposing structure, the Broken Tower, on the western side of the cour d'honneur, remained unfinished. The basement of the tower was used as a dungeon; the top floors were probably the treasury of the royal jewels.

The last phase of large-scale building activity took place under King Matthias Corvinus. During the first decades of his reign the king finished the work on the Gothic palace. The Royal Chapel, with the surviving Lower Church, was likely built at that time.

After the marriage of Matthias and Beatrice of Naples in 1476, Italian humanists, artists and craftsmen arrived at Buda. The Hungarian capital became the first centre of Renaissance north of the Alps. The king rebuilt the palace in an early Renaissance style. The cour d'honneur was modernised and an Italian loggia was added. Inside the palace were two rooms with golden ceilings: the Bibliotheca Corviniana and a passage with the frescoes of the twelve signs of the Zodiac. The façade of the palace was decorated with statues of John Hunyadi, László Hunyadi and King Matthias. In the middle of the court there was a fountain with a statue of Pallas Athene.

In the last years of his reign Matthias Corvinus started construction of a new Renaissance palace on the eastern side of the Sigismund Courtyard, next to the Fresh Palace. The Matthias Palace remained unfinished because of the king's early death. The palace had a monumental red marble stairway in front of the façade. Matthias Corvinus was usually identified with Hercules by the humanists of his court; the bronze gates were decorated with panels depicting the deeds of Hercules, and a great bronze statue of the Greek hero welcomed the guests in the forecourt of the palace complex, where jousts were held.

The walled gardens of the palace were laid out on the western slopes of the Castle Hill. In the middle of the enclosure, a Renaissance villa was built by Matthias. Only one column survives of this so-called Aula Marmorea.

After the death of Matthias Corvinus, his successor, King Vladislaus II, carried on the works of the Matthias Palace, especially after his marriage with Anna of Foix-Candale in 1502.

Under the reign of King John Zápolya (the last national ruler of Hungary) the palace was repaired. On the southern tip of the Castle Hill, the Great Rondella was built by Italian military engineers. The circular bastion is one of the main surviving structure of the old palace.

After the Battle of Mohács, the medieval Kingdom of Hungary collapsed. The Ottoman Turks occupied the evacuated town on 11 September 1526. Although Buda was sacked and burned, the Royal Palace was not damaged. Sultan Suleiman the Magnificent carried away all the bronze statues (the Hunyadis, Pallas Athene and Hercules) with him to Constantinople. The statues were destroyed there in a rebellion a few years later. The Sultan also took many volumes from the Corvina library.

In 1529 the Ottoman army besieged and occupied Buda again, and the palace was badly damaged. On 29 August 1541 Buda was occupied again by the Ottomans, without any resistance. Buda became part of Ottoman Empire and the seat of the Eyalet of Budin. The original German and Hungarian population left the city, immigrants from Ottoman Empire and the Balkan peninsula came to their place.

Although Turkish travel writers wrote enthusiastically about the beauty of the palace of the Hungarian kings, the new Ottoman government let the palace decay. It was partially used as barracks a storage place and stables, and otherwise it stood empty.

The palace was called Iç Kala ("Inner Castle") and Hisar Peçe ("Citadel") by the Turks. The name of the cour d'honneur was "Seray meydani". The favourite nickname of the complex was "Palace of the Golden Apples".

The economic decline of Buda the capital city during the Ottoman conquest characterised by the stagnation of population, the population of Buda was not larger in 1686, than the population of the city two centuries earlier in the 15th century. The Ottomans allowed the Hungarian royal place to fall into ruins. The amortised palace was later transformed into a gunpowder storage and magazine by the Ottomans, which caused its detonation during the siege in 1686. The original Christian Hungarian population didn't feel secure during the Ottoman conquest, their numbers significantly shrank in the next decades, due to their fleeing to the Habsburg ruled Royal Hungary. The proportion of the population who were of Jews and Gypsy families increased during the Ottoman rule in Buda.

In the era between 1541 and 1686, the Habsburgs tried to re-capture Buda several times. Unsuccessful sieges in 1542, 1598, 1603 and 1684 caused serious damage. The Ottoman authorities repaired only the fortifications. According to 17th-century sources, many buildings of the former Royal Palace were roofless and their vaults collapsed. Nonetheless the medieval palace mostly survived until the great siege of 1686.

The medieval palace was destroyed in the great siege of 1686 when Buda was captured by allied Christian forces.

In 1686, two years after the unsuccessful siege of Buda, a renewed Western European Christian campaign was started to take the city. This time the Holy League's army was much larger, consisting of 65,000–100,000 men, including German, Hungarian, Croat, Dutch, English, Spanish, Czech, Italian, French, Burgundian, Danish and Swedish soldiers and other Europeans as volunteers, artillerymen and officers. The Turkish defenders consisted of 7,000 men.

In a heavy artillery bombardment, many buildings burned and collapsed. The Stephen's Tower, used as a gunpowder store by the Ottomans, exploded when hit by a single cannon, said to have been fired by a friar called Gábor, also referred as Tüzes Gábor ("Gabriel Fiery"). According to contemporary sources, the explosion killed as many as 1,500 Turkish soldiers and caused a wave on the Danube that washed away artillery batteries and guards standing on the opposite shore.

Habsburg military engineers made several plans and drawings of the buildings in subsequent decades. Although the walls mainly survived, the burned-out shell rapidly decayed from a lack of maintenance. Between 1702 and 1715, Stephen's Tower disappeared completely, and the palace was beyond repair. In 1715, King Charles III ordered the demolition of the ruins. Johann Hölbling surveyed the still-existing structures. The king ordered the surviving marble statues, antiquities, inscriptions and coins should be spared (there is no evidence about the realization of the royal decree). The main part of the palace and the Broken Tower were totally demolished, the hollows and moats were filled and a new flat terrace was established. The southern fortifications, zwingers and rooms were buried under tons of rubbish and earth.

In 1715 a small Baroque palace was built according to the plans of Johann Hölbling. It was a simple rectangular building, with an inner court and a shorter side wing, which was later demolished. The Hölbling palace is identical with the core of the present-day palace, where the Baroque Court of the Budapest Historical Museum is now located.

The interior of the palace was left unfinished when work stopped in 1719. The Hofkriegsrat commissioned Fortunato di Prati to make several plans for the palace, but lack of money hindered their implementation.

In 1723 the palace was accidentally burned down and the windows were walled up in order to stop further deterioration. Several drawings from the 1730s and 1740s show the unfinished decaying shell of the simple two-storey blockhouse. Some engravings show an idealised finished version which never existed. Sometime around 1730 the roof was repaired.

In 1748 Count Antal Grassalkovich, President of the Hungarian Chamber, appealed to the public to finish the derelict palace by means of public subscription. Palatine János Pálffy called upon the counties and cities to award grants for the project. The moment was favourable because relations between the Hungarian nobility and the Habsburgs were exceptionally good. The Hungarians supported Queen Maria Theresa in the dire need of the War of the Austrian Succession. The queen was grateful for this, and the new Royal Palace became the symbol of peace and friendship between the dynasty and the nation.

The plans of the splendid, U-shaped Baroque palace with a cour d'honneur were drawn by Jean Nicolas Jadot, chief architect of the Viennese court. After 1753 the plans were modified by his successor, Nicolaus Pacassi. Ignác Oraschek, master builder, who guided the works, and modified the plans according to his own ideas. The foundation stone of the palace was laid on 13 May 1749, which was the Queen's birthday. The work continued at a good pace until 1758, when financial difficulties caused a seven-year break. By that time only the interiors were left unfinished.

According to surviving historical documents, the layout of the palace followed Jadot's signed plans of 1749. The façades, some interior elements and the St. Sigismund Chapel are the works of Nicolò Pacassi, while the special double false domes were probably planned by Oraschek, formerly the master builder of Count Grassalkovich. Double false domes were typical features of the so-called Grassalkovich-type Baroque castles like Gödöllő. However, this feature was later removed from the palace.

In 1764 the Queen visited the palace and allotted 20,000 thalers a year for the work, which recommenced in 1765 according to the plans of Franz Anton Hillebrandt. Hillebrand altered the cour d'honneur façade of the central wing in Rococo style. In 1769 the St. Sigismund Chapel was consecrated and the palace was finished the same year. According to the aggregate statement of Grassalkovich, the costs were 402,679 forints.

The palace was rebuilt between 1850 and 1856 by Josef Weiss and Carl Neuwirth. The 13-axis central wing was raised with a third storey and a squat attic-tower. The central risalit was decorated with a balcony of six colossal columns. With these changes, the former Viennese Baroque palace of Maria Theresa became considered a more austere Neoclassical Baroque building.

The ballroom was redecorated with marbles and stuccoes. After 1853 stately rooms were designed in a French Rococo style, with white-gold stuccoes and furniture from the Hofburg. The palace was already too small for the needs of the royal court, so the kitchens and service rooms were housed in the neighbouring Zeughaus. The palace was connected with the Zeughaus by a glassed passageway.

On the western side of the cour d'honneur two smaller buildings were erected, using plans by Weiss and Neuwirth in 1854. The two-storey Stöckl housed the apartments of the archdukes and imperial officials, whereas the Wachlokal was built for the royal guards.

Emperor Franz Joseph I of Austria visited Buda Castle in 1856 and 1857. After the Austro-Hungarian Compromise of 1867, Franz Joseph was crowned king of Hungary. The palace played an important part in the lavish ceremony and was a symbol of peace between the dynasty and the nation.

In the last decades of the 19th century Budapest experienced rapid economic development. Ambitious urban planning projects were carried out to express the growing wealth and higher status of the Hungarian capital, with special attention being paid to the rebuilding of Buda Castle. The autonomous Hungarian government intended to create a royal palace to match any famous European royal residence (especially their old rival, Vienna's Hofburg). The rebuilding spanned forty years, between 1875 and 1912, and caused sweeping changes in topography of the entire area.

First the Várkert-bazár (Royal Garden Pavilion) was built on the embankment of the Danube, at the foot of the Castle Hill, between 1875 and 1882. This Neo-Renaissance gateway was designed by a Hungarian architect named Miklós Ybl. The structure was an open arcade, with pavilions, stairways and ramps, and two blocks of flats. Ybl also built a new waterworks pumping station, named Várkert-kioszk (Royal Garden Kiosk), and two stair towers against the medieval cortina walls. The southern stair tower followed French Renaissance style, resembling a small turreted castle, while the northern stair tower was similar to a Gothic brick donjon (a fortified main tower from a castle, also called a keep). Only Várkert-bazár and Várkert-kioszk survive currently.

In 1882 Prime Minister Kálmán Tisza charged Ybl with drawing a master plan for rebuilding the palace. In his 1885 plan, Ybl preserved the old Baroque palace, but mirrored it on the western side of the cour d'honneur, which doubled the size of the residence. He also planned a new carriageway on the western hillside, demolishing the medieval walls and towers of the Újvilág-kert terrace. The narrowness of the natural plateau of the Castle Hill meant there was not enough space for the new Krisztinaváros wing, which Ybl solved by erecting a substructure down to the foot of the hill. The monumental western façade sits on this windowless, three-storey high substructure. The whole block covered almost the entire hill, but the main façade on the cour d'honneur had the same modest height as the Baroque palace. The façade was clad with stone slabs, while the old parts are stuccoed; hence, the difference between the original Baroque and the Neo-Renaissance wings is obvious. The formerly open cour d'honneur became a closed court with an arched gateway, guarded by the four lions of the sculptor, János Fadrusz. The court is called Lions Court (or Oroszlános udvar).

The work began on 1 May 1890, but Ybl died on 22 January 1891. His successor, Alajos Hauszmann, slightly modified the plans of the Krisztinaváros wing. In 1896 the building reached the level of the court, and King Franz Joseph ceremoniously laid down the foundation stone of the palace, which was soon completed.

In 1893, the 25th anniversary of King Franz Joseph's coronation was celebrated in the Royal Palace. However, the old banqueting hall proved to be too small, so Hauszmann enlarged the room by knocking down and reconstructing the wall towards the cour d'honneur (which additionally had the Hillebrandt façade).

In spite of this expansion and Ybl's new wing, the palace was still deemed insufficient for great royal celebrations, so another round of construction began. The north wing, standing on the site of the old Zeughaus, was completely designed by Hauszmann. The architect doubled the Baroque palace on the Danube side, generally imitating its traditional architectural style. At the meeting point of the old and the new wings, a colonnaded portico was erected, with a lavishly-decorated tympanum (with allegorical statues by Károly Sennyey) and a flight of stairs called the Habsburg Stairs. The whole palace was crowned with a dome with a copy of the Crown of St. Stephen at its apex. The dome, like other details of the north wing, shows German Jugendstil influences, as does the rear façade towards the western forecourt. This forecourt also contains the Matthias Fountain (Hungarian: Mátyás kútja) by sculptor Alajos Stróbl. Above the main gate, towards Szent György tér, stood a statue of the Goddess Hungaria. This side was the main façade of the complex, but it was much shorter and less characteristic than the long Danube façade. The old Chapel of the Holy Right was demolished to make room for a carriageway.

Hauszmann designed a new riding school in the former Újvilág terrace, which was now named the Csikós court, after the Csikós statue of György Vastagh (now in the western forecourt). In front of the long Danube façade, an equestrian statue was erected in honour of Prince Eugene of Savoy, the victorious leader of the Habsburg army in the Battle of Zenta. The eastern forecourt was closed off with a lavish wrought-iron rail, which ended in a pillar crowned by a statue of the legendary Turul, the sacred bird of the Magyars, spreading its wings above Budapest. Two flights of stairs led up to the Szent György tér, which was on much higher ground.

In the western forecourt, Hauszmann designed a new neo-Baroque guardhouse and rebuilt the old Royal Stables. The Royal Gardens on the southern hillside were famous for their precious plants, glass houses and picturesque terraces. In the middle of the gardens stood the Swiss House of Queen Elisabeth, furnished with Hungarian folk art objects. The house was built above the ruins of the medieval gatehouse, partially making use of them.

The interior of the palace was decorated and furnished exclusively with works of the leading Hungarian artists of the age. The Royal Palace was officially inaugurated in 1912. Contemporary critics praised it as the most outstanding Hungarian building of the turn of the 20th century.

The Hauszmann palace existed for around three decades: on 30 December 1916, the building played a part in the coronation ceremony of the last Hungarian king, Charles IV of Hungary. After the 1918 revolution and the removal of the Habsburg dynasty, the Royal Palace became the seat of the new regent of the Kingdom of Hungary, Miklós Horthy. Horthy lived in the Krisztinaváros wing with his family between the years of 1920 and 1944. In this era the palace was the centre of Hungarian political and social life. Famous guests entertained by Horthy in the palace included King Victor Emmanuel III of Italy in 1937 and Cardinal Eugenio Pacelli (later Pope Pius XII) in 1938.

On 16 October 1944 a Nazi German commando unit, led by Otto Skorzeny, occupied the Royal Palace and forced the regent to abdicate. Buda Castle was the last major stronghold of Budapest held by Axis forces during the siege of Budapest between 29 December 1944 and 13 February 1945. The German and Hungarian forces defending the castle attempted to break the Soviet blockade on 11 February 1945, but failed. Allegedly the Soviet Red Army knew about their plans and had aimed heavy weapons at the possible escape routes hours earlier. This is considered one of the biggest disasters of Hungarian military history.

Heavy fights and artillery fire rendered the palace into ruins. The furniture vanished, roofs and vaults collapsed and the southern and western wings were burned out. The destruction was comparable to that of the great siege of 1686.

Immediately after the war, archeological research was begun in order to unearth the remains of the medieval castle. The research, led by László Gerő (1946–1966) and László Zolnay (1967–1979), was likely the biggest castle excavation in Europe. The former Royal Gardens stairways, pavilions and glass houses, which dated from the turn of the 20th century, had to be sacrificed. Important parts of the former Sigismund and Matthias Palace had survived under the thick earth fill.

The first reconstruction plan of the medieval remains was written by László Gerő in 1950 and finalised in 1952. The reconstruction work was finished in 1966. Contrary to the generally accepted principles of historic reconstruction, the medieval fortification system was rebuilt in its entirety. Important elements like the 16th century Great Rondella and the medieval Gatehouse, the Mace Tower, the walls and the zwingers were reconstructed according to the results of the archaeological research and contemporary pictorial evidence. The low-lying southern wing of the Gothic palace was also reconstructed, together with the vaulted Gothic Hall and the Lower Church of the former Royal Chapel. Medieval-style gardens were planted in the zwingers. The foundation of the Stephen's Tower was unearthed, but as archaeological evidence was lacking, the tower was not reconstructed. The remains of the Broken Tower were covered again.

The large-scale reconstruction of the medieval fortifications substantially changed the cityscape of Budapest. At the time it was considered a highly successful project, reconciling historical authenticity with urban-planning demands.

In the 1970s, archeological research continued on the northern and western side of the palace, led by László Zolnay. It produced many important achievements, including the Late Gothic Buda Castle Statues. The Karakash Pasha Tower, in the Újvilág Garden, was a Turkish-era tower demolished at the end of the 19th century. Photographic evidence enabled its reconstruction, but the new tower was only a copy of the original, and the details are not considered authentic.

The government made a decision about reconstruction only in 1948. According to contemporary photos, all the important interiors were in a damaged state, but their reconstruction was technically possible. The new communist government of Hungary considered the Royal Palace a symbol of the former regime. Therefore, Hungarian leaders chose to thoroughly modernise the interior and exterior of the palace. Architectural trends played a part in the decision, as modernist architects had condemned the Hauszmann style as "too ornate".

The first modernist reconstruction plan was made by architect István Janáky in 1950. His controversial concept was later modified. In 1952 the Hungarian government asked for help from Poland, because they had successfully rebuilt Warsaw and, indeed, other cities. A delegation of Polish experts, led by the architectural historian Jan Zachwatowicz, proposed the rebuilding of the Hauszmann palace.

During the 1950s the palace was gutted and all the remaining interior, including the rooms and halls that were undamaged, were destroyed. Important exterior details, such as the main entrance, the Habsburg Steps, the dome, the Royal Stables, the guardhouse and the riding school were demolished, and the remaining façades were simplified. In Lions Court the ornate gates of King's Stairs and Diplomat's Stairs were demolished. The doorway of the castle church disappeared, as did the chapel. The detailed Neo-Baroque roofs were simplified and plain new windows were installed. The allegorical sculpture group of the tympanum was destroyed.

At the same time however, medieval elements that were uncovered were reconstructed in what was thought their appearance was. No precise drawings existed of the medieval elements, therefore an approximate reconstruction of their appearance was done.

The modernist dome was designed by Lajos Hidasi in 1961 after Italian Baroque models. The palace was rebuilt by 1966, but the interior spaces were ready only in the 1980s. Buda Castle became a cultural centre, home to three museums and the National Széchényi Library.

In March 2006 the National Office of Cultural Heritage finalised the long-term development plan of Buda Castle. Asserting that the modernisation in 1952–66 caused irreversible damage, they proposed the partial reconstruction of the façades, including the dome and the Habsburg Steps. No decision has been reached about the realization of the development plan.

On 25 July 2007 Prime Minister Ferenc Gyurcsány chose the medieval King's Cellar in Buda Castle as the place to announce the list of the "most important public works projects", which was financed by European Union funds between 2007 and 2013.

In 2008 an international consortium began to build an underground garage for 700 cars under the former Csikós Court. The developer was granted permission to demolish a 4.5-metre-long (15 ft) section of the 15th-century castle wall. The demolition was carried out in spite of criticism from archeologists and the public. The area had been previously excavated by archeologists, who discovered many important finds, including medieval children's toys and a tooth from the pet leopard of King Matthias Corvinus. Additionally, the area outside the inner walls was used as a garbage dump during the 15th–17th centuries. However, financial difficulties interrupted the construction of the garage in 2009; work resumed for a short time in November 2011 but stopped again after the completion of the concrete basement slab. The government granted 1.3 billion forint for the completion of the project in 2015 after the half-built garage was bought by the state. The castle courtyard was also used as the setting for Katy Perry's 2010 music video, "Firework", part of her Teenage Dream album.

The government formulated the "National Hauszmann Program" to revitalize and restore the castle in the period of 2019−2030. The program is named in honour of Alajos Hauszmann, the last major architect of the castle. The first phase of the program started in 2016. By 2019, the reconstruction of the Royal Riding hall, Stöckl Staircase and the Castle Guards' Barrack had been completed and the rebuilding of the Ybl Slope next to the barrack started. In the same year, further reconstructions are announced, namely Joseph Archduke's Palace, former Headquarters of the Ministry of Defense, and the former Ministry of Foreign Affairs' building.

In 2019, the prime minister's residence was relocated to the Buda Castle from the Hungarian Parliament Building. The move was first planned in 2002 during the first Fidesz government, but was never carried out.

Buda Castle, Budapest (Hungary) UNESCO HERITAGE 1987 by Andrea Guagni 7,9 Million

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